Nudes, Portraits & Other Pictures
1970 - 1980
Updated May 2008
These black and white photographs are from my early period of photography in Bath and Oxford from 1970 'till I migrated to Australia in 1981
Mainly female nude black and white photographs, 1981 - 1993. I prefer the term naked portrait to nude, but for web clarity I use the word nude. I also prefer the word women to models for the women who collaborate with me in these projects
Pubic hair Some of these images include pubic hair. However, there is no detail shown on this website, this is a concious decision
Prints are for sale as fine limited edition archivally processed silver gelatine prints in rag board matsWILD ARUM - Arum maculatum
Arum maculatum, one of my favourite harbingers of Spring, also bears the common names of Jack In The Pulpit, Lords and Ladies, Cukoo Pint and many others
GLASTONBURY TOR
Interesting to me is that when a Christian church was placed on something sacred in Somerset the church often fell down
STEVIE
This was a black and white continuity photograph for a 16mm BW film I had started with Stevie - this still records her gorgeous beads and fur and things for film continuity - I had hours of free 16mm TriX stock but no processing funds - I kept the exposed film in a fridge 'till I left for Australia - at which point I dumped it in a bin - now, of course. . .
DAVID LASCELLES
This is the definitive portrait of David Lascelles, 'though he may no longer agree
EMMA
IZZIE
LAMBRIDGE PLACE
RAE
The location was an abandoned house cut into the side of a hill in Bath with beautiful windows covered in leaves
These images are very black and white, but not much was grey in those days, apart from Winter
I received an email from Rae after she found my website while looking for Somerset images. As a photographic printmaker I have always stiven for interpretation of the negative and print quality over speed. Prefering to wait 'till I can look at an image calmly and objectively. On this occasion I really excelled in print delivery time. I made this photograph with Rae in August 1971 and posted prints to her in November 2007, exceeding even my normal printing delay - So, after thirty six years, Rae finally got a set of prints
LESLEY
The distortion is due to the photograph being made through two mirrors, the closest one to the camera being a bronze backed mirror with unflat glass
While reality appeared curved, which was quite frequent, Lesley's body absorbs the distortion to become the point of reference on a shifting ground. The suggestion the distortion is because I was using Swiss Alpa cameras at the time is quite erroneous
SUE
Sue - The beginning - June 1970 - This was the first photograph of a naked woman that worked for me
Looking at the negatives again after 37 years I see other avenues of thought leading out - much lighter avenues - but I had just seen the Bill Brandt exhibition at the Hayward Gallery in London - I still have the catalogue
John AustinQuinninup, Western Australia